Car Park,120x243cm
TV-LANDSCAPES / VIRTUAL NEWS
Digital c-prints, since 2005 - Work in Progress, sizes variable
TV Landscapes are photography-based collages which show catastrophic or horrific scenes. The images are constructed mainly out of screen-shots taken from TV, re-staging the newsworthy subjects of mass media. The aesthetics of this body of work deal with the ethical conundrum of the artist when dealing with images of pain and suffering. What are the implications of showing catastrophic scenes in a “beautiful” way? Is there any way to feel the others’ pain? Could or should catastrophes even be represented?
In dealing with images from mass media, Vardarman’s use of what the viewers recognize as magazine or advertisement photography create a closed circuit. The mode of presentation is used in producing an artistic representation. What are the differences between Vardarman’s images and the images that we see every day? It is this ambiguity that makes viewers question why they even look at images of catastrophe in the first place.
(Images are a selection from the series.)
Islands, 79x300cm
Horses, 81x300cm
By The Sea, 151x120cm
Forest I, 120x188cm
Moonlight (Narrow Cut), 120x241cm
Meeting, 60x102cm
Ritual, 60x105cm
Once Up On A Time,100x300cm
City Nights, 126x120cm
Sea Side, 90x236cm
Berlin Under Water, 120x145cm
State Authority, 120x120cm
Night Watch, 120x189cm
Rain, 120x242cm
Salat Performers II, 60x205cm
Labirent-100x206cm
Salat Performers I, 120x61cm
Dark Day, 120x275cm
Forest III, 112x300cm
Danish Windows, 120x169cm
In Search of the Next Collateral Damage, 106x151cm
Burning City, 120x291cm
Smoke, 120x300cm
Forest V, 55x120cm
Cityscape I, 34x90cm
Istanbul, 158x100cm
Cityscape II, 80x180cm
War Scape, 110x120cm
Coast Line, 120x160cm
City Lights, 123x120cm
London, 70x199cm
Avalanche, 95x188cm
Last Pieces of The Arctic Ice, 82x278cm
Bombing Baghdad IV, 60x110cm
Bombing Baghdad III, 60x110cm
Bombing Baghdad II, 60x110cm